Photo by Ada Johnsson - 20CENT @MACRO Museo d’Arte Contemporanea di Roma
Giovanni Impellizzieri, born in Milazzo in 1984, is a choreographer and performer working across multiple artistic languages, including poetry, music, visual arts, and dance. His career is marked by a continuous exploration that merges the intensity of physical movement with philosophical and artistic reflections. Here, we outline the key milestones of his professional journey and creative ideas.
Education and Early Experiences
Impellizzieri initially trained in industrial design at ISIA in Rome, an experience that deeply influenced his approach to choreography and spatial composition. He later attended an intensive course at the School for New Dance Development (SNDO) in Amsterdam, where he expanded his skills in movement, choreography, and philosophy.
From the outset, Giovanni collaborated with prominent artists like Lucia Latour and participated in workshops with international figures, developing an artistic vision grounded in interdisciplinarity and innovation.
Significant Productions
Among his most notable works is the solo Le toi de moi / Neverending Poem, showcased in prestigious art galleries and at the MACRO Museum of Contemporary Art in Rome. Alongside this is 20CENT, a work influenced by the Futurist poetics of Umberto Boccioni, exploring the intersection of visual arts and performance.
Another major project is ASYLUM: Coreografia Contronarrative, where dance, visual arts, and social participation converge. Here, Impellizzieri created a relational space engaging students, refugees, and visitors, fostering dialogue between diverse cultural worlds, such as the National Academy of Dance, the Academy of Fine Arts of Rome, and the Faculty of Architecture at Sapienza University.
Philosophical and Choreographic Research
Philosophy is a cornerstone of Impellizzieri’s artistic practice. He views dance as an “autonomous system of the living” and a vehicle for cognitive exploration. This is evident in projects like Merleau Indiano: Filosofia per ambienti, which combines real and imaginary anatomies in a phenomenological observatory hosted at the House of Dance, Lavanderia a Vapore (Piemonte dal Vivo Foundation).
In his vision, choreography is not merely the organization of space and time but a system that interacts with disciplines such as philosophy, biology, and architecture. This interdisciplinary approach expands the concept of “body technologies,” challenging established techniques and proposing new paradigms of movement and perception.
Educational Initiatives and Collaborations
Giovanni Impellizzieri is also a committed educator. He has conducted workshops on instant composition and movement analysis at prestigious institutions, including the Balletto di Roma, Roma Tre University, and Art Omi in New York. These educational spaces aim to make dance accessible not only to professionals but also to anyone eager to explore their body and imagination.
Contributions to the Community
The idea that “dance is for everyone” permeates Impellizzieri’s work. Through initiatives like Roma Tattile: Circolo Polare Aptico, he creates opportunities for local communities to actively participate in artistic creation. These projects emphasize inclusion, fostering dialogue and co-creation among participants from diverse backgrounds.
Artistic Vision
Giovanni describes dance as a form of presence, an intensity perceptible through the body. It is an observation that deconstructs and reassembles reality—visible and invisible—through a language that manipulates anatomy and imagination in an experimental exercise of freedom.
Conclusion
Giovanni Impellizzieri’s journey represents a bold and continuous exploration of what dance can be: a medium of personal and collective expression, a laboratory of ideas, and a bridge between past and future. Through his work, he not only expands the boundaries of contemporary dance but also offers new ways of understanding the world through movement.
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